From the Publisher
A novel you will never forget... This powerful and breathtaking novel is the story of four cadets who have become bloodbrothers. Together they will encounter the hell of hazing and the rabid, raunchy and dangerously secretive atmosphere of an arrogant and proud military institute. They will experience the violence. The passion. The rage. The friendship. The loyalty. The betrayal. Together, they will brace themselves for the brutal transition to manhood... and one will not survive.
With all the dramatic brilliance he brought to The Great Santini, Pat Conroy sweeps you into the turbulent world of these four friends -- and draws you deep into the heart of his rebellious hero, Will McLean, an outsider forging his personal code of honor, who falls in love with a whimsical beauty... and who undergoes a transition more remarkable then he ever imagined possible.
"Gripping, grueling... superb." -- Playboy
"A work of enormous power, passion, humor, and wisdom. It sweeps the reader along on a great tide of honest, throbbing emotion. It is the work of a writer with a large, brave heart." -- Jonathan Yardley, Washington Star
"God preserve Pat Conroy." -- Boston Globe
"Seldom have I encountered an author who puts words together so well -- reading Conroy is like watching Michelangelo paint the Sistine Chapel." -- Sam Fletcher, Houston Post
From the Inside Flap
A novel you will never forget...
This powerful and breathtaking novel is the story of four cadets who have become bloodbrothers. Together they will encounter the hell of hazing and the rabid, raunchy and dangerously secretive atmosphere of an arrogant and proud military institute. They will experience the violence. The passion. The rage. The friendship. The loyalty. The betrayal. Together, they will brace themselves for the brutal transition to manhood... and one will not survive.
With all the dramatic brilliance he brought to The Great Santini, Pat Conroy sweeps you into the turbulent world of these four friends -- and draws you deep into the heart of his rebellious hero, Will McLean, an outsider forging his personal code of honor, who falls in love with a whimsical beauty... and who undergoes a transition more remarkable then he ever imagined possible.
From the Back Cover
"Gripping, grueling... superb." -- Playboy "A work of enormous power, passion, humor, and wisdom. It sweeps the reader along on a great tide of honest, throbbing emotion. It is the work of a writer with a large, brave heart." -- Jonathan Yardley, Washington Star
"God preserve Pat Conroy." -- Boston Globe
"Seldom have I encountered an author who puts words together so well -- reading Conroy is like watching Michelangelo paint the Sistine Chapel." -- Sam Fletcher, Houston Post
About the Author
Pat Conroy was the New York Times–bestselling author of two memoirs and seven novels, including The Prince of Tides, The Great Santini, and The Lords of Discipline. Born the eldest of seven children in a rigidly disciplined military household, he attended the Citadel, the military college of South Carolina. He briefly became a schoolteacher (which he chronicled in his memoir The Water Is Wide) before publishing his first novel, The Boo. Conroy passed away in 2016 at the age of seventy.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
When I crossed the Ashley River my senior year in my gray 1959 Chevrolet, I was returning with confidence and even joy. I'm a senior now, I thought, looking to my right and seeing the restrained chaste skyline of Charleston again. The gentleness and purity of that skyline had always pleased me. A fleet of small sailboats struggled toward a buoy in the windless river, trapped like pale months in the clear amber of late afternoon.
Then I looked to my left and saw, upriver, the white battlements and parapets of Carolina Military Institute, as stolid and immovable in reality as in memory. The view to the left no longer caused me to shudder involuntarily as it had the first year. No longer was I returning to the cold, inimical eyes of the cadre. Now the cold eyes were mine and those of my classmates, and I felt only the approaching freedom that would come when I graduated in June. After a long childhood with an unbenign father and four years at the Institute, I was looking forward to that day of release when I would no longer be subject to the fixed, irresistible tenets of martial law, that hour when I would be presented with my discharge papers and could walk without cadences for the first time.
I was returning early with the training cadre in the third week of August. It was 1966, the war in Vietnam was gradually escalating, and Charleston had never looked so beautiful, so untouchable, or so completely mine. Yet there was an oddity about my presence on campus at this early date. I would be the only cadet private in the barracks during that week when the cadre would prepare to train the incoming freshmen. The cadre was composed of the highest-ranking cadet officers and non-coms in the corps of cadets. To them fell the serious responsibility of teaching the freshmen the cheerless rudiments of the fourth-class system during plebe week. The cadre was a diminutive regiment of the elite, chosen for their leadership, their military sharpness, their devotion to duty, their ambition, and their unquestioning, uncomplicated belief in the system.
I had not done well militarily at the Institute. As an embodiment of conscious slovenliness, I had been a private for four consecutive years, and my classmates, demonstrating remarkable powers of discrimination, had consistently placed me near the bottom of my class. I was barely cadet material, and no one, including me, ever considered the possibility of my inclusion on the cadre.
But in my junior year, the cadets of fourth battalion had surprised both me and the Commandant's Department by selecting me as a member of the honor court, a tribunal of twenty-one cadets known for their integrity, sobriety, and honesty. I may not have worn a uniform well, but I was chock full of all that other stuff. It was the grim, excruciating duty of the honor court to judge the guilt or innocence of their peers accused of lying, stealing, cheating, or of tolerating those who did. Those found guilty of an honor violation were drummed out of the Corps in a dark ceremony of expatriation that had a remorseless medieval splendor about it.
Once I had seen my first drumming-out, it removed any temptation I might have had to challenge the laws of the honor code. The members of the court further complicated my life by selecting me as its vice chairman, a singularly indecipherable act that caused me a great deal of consternation, since I did not even understand my election to that cold jury whose specialty was the killing off of a boy's college career. By a process of unnatural selection, I had become one of those who could summon the Corps and that fearful squad of drummers for the ceremony of exile. Since I was vice chairman of the court, the Commandant's Department had ordered me to report two weeks before the arrival of the regular Corps.
In my senior year, irony had once again gained a foothold in my life, and I was a member of the training cadre. Traditionally, the chairman and vice chairman explained the rules and nuances of the honor system to the regiment's newest recruits. Traditionally, the vice chairman had always been a cadet officer, but even at the Institute tradition could not always be served. Both tradition and irony have their own system of circulation, their own sense of mystery and surprise.
I did not mind coming back for cadre. Since my only job was to introduce the freshmen to the pitfalls and intricacies of honor, I was going to provide the freshmen with their link to the family of man. Piety comes easily to me. I planned to make them laugh during the hour they were marched into my presence, to crack a few jokes, tell them about my own plebe year, let them relax, and if any of them wanted to, catch up on the sleep they were missing in the barracks. The residue of that long, sanctioned nightmare was still with me, and I wanted to tell these freshmen truthfully that no matter how much time had elapsed since that first day at the Institute, the one truth the system had taught me was this: A part of me would always be a plebe.
I pulled my car through the Gates of Legrand and waited for the sergeant of the guard to wave me through. He was conferring with the Cadet Officer of the Guard, who looked up and recognized me.
"McLean, you load," Cain Gilbreath said, his eighteen-inch neck protruding from his gray cotton uniform shirt.
"Excuse me, sir," I said, "but aren't you a full-fledged Institute man? My, but you're a handsome, stalwart fellow. My country will always be safe with men such as you."
Cain walked up to my car, put his gloved hand against the car, and said, "There was a rumor you'd been killed in an auto wreck. The whole campus is celebrating. How was your summer, Will?"
"Fine, Cain. How'd you pull guard duty so early?"
"Just lucky. Do you have religious beliefs against washing this car?" he asked, withdrawing his white glove from the hood. "By the way, the Bear's looking for you."
"What for?"
"I think he wants to make you regimental commander. How in the hell would I know? What do you think about the big news?"
"What big news?"
"The nigger."
"That's old news, and you know what I think about it."
"Let's have a debate."
"Not now, Cain," I said, "but let's go out for a beer later on in the week."
"I'm a varsity football player," he said with a grin, his blue eyes flashing. "I'm not allowed to drink during the season."
"How about next Thursday?"
"Fine. Good to see you, Will. I've missed trading insults with you." I drove the car through the Gates of Legrand for my fourth and final year. I realized that the Institute was now a part of my identity. I was nine months away from being a native of this land.
Before I unloaded my luggage in the barracks, I took a leisurely ride down the Avenue of Remembrance, which ran past the library, the chapel, and Durrell Hall on the west side of the parade ground. The Avenue was named in honor of the epigram from Ecclesiastes that appeared above the chapel door: "Remember Now Thy Creator in the Days of Thy Youth." When I first saw the unadorned architecture of the Institute, I thought it was unbelievedly ugly. But it had slowly grown on me.
The beauty of the campus, an acquired taste, certainly, lay in its stalwart understatement, its unapologetic capitulation to the supremacy of line over color, to the artistry of repetition, and the lyrics of a scrupulous unsentimental vision. The four barracks and all the main academic buildings on campus faced inward toward the parade ground, a vast luxurious greensward trimmed like the fairway of an exclusive golf course. The perfume of freshly mown grass hung over the campus throughout much of the year. Instruments of war decorated the four corners of the parade ground: a Sherman tank, a Marine landing craft, a Jupiter missile, and an Air Force Sabre jet. Significantly, all of these pretty decorations were obsolete and anachronistic when placed in reverent perpetuity on campus. The campus looked as though a squad of thin, humorless colonels had designed it. At the Institute, there was no ostentation of curve, no vagueness of definition, no blurring of order. There was a perfect, almost heartbreaking, congruence to its furious orthodoxy. To an unromantic eye, the Institute had the look of a Spanish prison or a fortress beleaguered not by an invading force but by the more threatening anarchy of the twentieth century buzzing insensately outside the Gates of Legrand.
It always struck me as odd that the Institute was one of the leading tourist attractions in Charleston. Every Friday afternoon, the two thousand members of the Corps of Cadets would march in a full-dress parade for the edification of both the tourists and the natives. There was always something imponderably beautiful in the anachronism, in the synchronization of the regiment, in the flashing gold passage of the Corps past the reviewing stand in a ceremony that was a direct throwback to the times when Napoleonic troops strutted for their emperor.
Ever since the school had been founded in 1842, after a slave insurrection, the Corps had marched on Fridays in Charleston, except on the Friday following that celebrated moment when cadets from the Institute had opened fire on the Star of the East, a Northern supply ship trying to deliver supplies to the beleaguered garrison at Fort Sumter. Historians credited those cadets with the first shots in the War Between the States. It was the proudest moment in the history of the school, endlessly appreciated and extolled as the definitive existential moment in its past. Patriotism was an alexin of the blood at the Institute, and we, her sons, would march singing and eager into every battle with the name of the Institute on our lips. There was something lyric and terrible in the fey mindlessness of Southern boys, something dreary and exquisite...
Based on Conroy's own experience as an English major at the Citadel in the mid-1960s, this is a moving look at the horrors of the plebe system, the abuse of power, the meaning of friendship, and the making of men. Although Dan John Miller uses soft Southern inflections to set the mood for the narrative, his voice can jolt the listener when terrified freshmen experience hazing by upperclassmen and officers scream orders at cadets. Miller expertly captures the emotional heart of the novel--from innocent irreverence to justified anger, from first love to intense sorrow. The combination of Conroy's story and Miller's narration creates a lingering audio experience. The introduction discusses the novel's veracity and the repercussions of its publication. C.B.L. Winner of AudioFile Earphones Award © AudioFile 2010, Portland, Maine
